Author: moidfadmin

貧窮限制了想像，也限制了女孩的命運。一個14歲的越南女生，生活在有「綁架新娘」習俗的農村，女人未成年就要成為別人的太太，唯獨她堅拒認命，相信讀書受教育才可逃過命定的安排。不料一次貪玩，讓她差點陷入難以擺脫的宿命⋯⋯ 導演跟拍三年，在完全聽不懂少數民族方言的情況下完成拍攝，與受訪者的關係徘徊於姊妹與局外人之間，記錄了女孩從天真無憂的小孩蛻變成憂戚的青少年，也記錄了農村傳統與現代價值的極端碰撞。在平實的鏡頭下，觀眾目睹女孩經歷了一趟惡夢般的殘酷成人禮。 CHILDREN OF THE MIST follows the story of Di, a 13-year-old Hmong girl with a dream to escape the destiny of many teenage girls of her ethnic group. Di is fortunate that she belongs to the first generation of children in the village with the opportunity to continue studying into high school. When […]

苗族在歷史洪流中不斷被迫遷徒，最終散居於各處高山貧瘠之地，他們的歌聲代代相傳。其中雲南大山村寨有一個由農民組成的基督教合唱團，聖經和詩歌是他們的最大信仰。深山藏不住天籟，合唱團一舉成名並登上一個又一個的舞台，連帶大山村寨也得到關注，族群的生活模式發生了前所未有的變化。 繼拍攝新疆籍流浪青年的影片《偷》，獨立紀錄片導演陳東楠再次以邊緣族群為題，耗時五年拍攝苗族村寨小水井合唱團的故事。 After hiding in the mountains for a century, a Miao ethnic village choir is discovered by an outsider and becomes a national sensation. But the Miao lost almost everything, including their homeland and written language, during the painful migrations in history because of frequent wars. However, there was one thing that wars couldn’t […]

在「新疆棉事件」還未成為新聞頭條之前，周浩早已耗時八年拍攝《棉花》，走遍廣州、河南，以及中國最大的棉花生產區域——新疆，寫下一頁當今中國數千萬勞動生產者的命運史。 與周浩的前作比較，《棉花》不再聚焦曲折的人物故事，而更像一篇深度專題報道，鏡頭緊貼棉花種子下地後的命運，通過記錄種植、採摘、紡織、出口、銷售的過程，揭示農民與工人在全球化下艱苦的生存狀態，雪白而柔軟的棉花背後是不為人知的血與汗。 In COTTON, Four principal characters – a farmer, a cotton picker and workers in cotton factories are the protagonists on this odyssey into the heart of China’s cotton industry. We witness the operation of the very labour intensive industry, as the camera travels from the planting and growing of cotton in Xinjiang Province […]

《孤注》是一部關於心理創傷的紀錄片，然而，這樣的命題似乎注定充滿冒險與博弈。 經歷過父親自殺與丈夫車禍離世的佟梅梅、12歲曾遭陌生老人性侵的姚尚德，各自抱著期望治癒同路人的初衷而答應參與拍攝。攝影機先後介入創傷者的日常生活，二人無可避免地重揭夢魘般的傷疤，也誠實地表達了身為被拍攝者的不安，故事遂走往反省紀錄片倫理與邊界的方向，身為導演的周浩也無法獨善其身，不得不面對紀錄片的「原罪」。 Tong’s father committed suicide when she was little, and she lost her husband in her middle age. Despite all this, she has become a psychologist and tries her best to heal others. Sunteck, who has isolated himself after being raped by a stranger at the age of 12, resorts to mime art to […]

「網紅市長」耿彥波掌政下的大同市曾展開為期五年的都更計劃，大規模的遷拆與重建所帶來的代價是五十萬百姓的遷移和二百億債務泥沼。耿彥波的造城願景迎來兩極評價，支持者稱他為「百年難得好市長」，反對者狠批他手法粗暴，計劃更隨着市長的調職而胎死腹中。 本片實現了周浩主張的「混沌」創作模式，對於耿彥波的功過，他不帶批判也並未預設立場，而是聚焦於呈現矛盾現實的兩面性，引發觀眾思考——黑與白之間的灰色，是否更接近真實？ THE CHINESE MAYOR follows the life and work of a controversial Mayor Geng Yenbo. His radical reform demolished 140,000 households and relocated half a million people to give way to a restoration of ancient relic walls, in order to attain “clean economic growth” from tourism and culture, which he believed will do good […]

這是一部沒有攝製隊的紀錄片：患有漸凍人症的Kathryn只能利用眼球控制發聲設備來「說話」，她讓兒子在輪椅上安裝攝錄機，並由兒子及影片製作人把900多小時的錄像，剪輯成74分鐘的影片。殘疾者的日常視角，是丈夫的不耐煩、家人間的衝突。兒女的成長是她活着的唯一理由；在女兒的婚禮後，她寫下了遺書⋯⋯ 「我只希望和喜歡我的人和平相處。」Kathryn的唯一願望，簡單得令人心碎。 Years with ALS have left Kathryn paralyzed and needing 24-hour care. With her mind intact and having opted for mechanical breathing, she could live like this indefinitely. But the situation has embittered and alienated her husband Said, and proved too much for many nurses and aides. The disease has also been a destructive […]

「此心安處是吾鄉」，但身處亂世，何以為家？ 化名Amin的主角生於戰火連連的阿富汗，自幼父親被軍方擄走，舉家逃難只為一線生機，無奈擺脫了炮火，卻仍逃不過命運蹂躪⋯⋯ 經歷偷渡與遣返、家人離散，Amin總算結束顛沛流離的日子，在哥本哈根過上安穩的生活，並準備與戀人組織家庭，但童年的苦難始終纏繞着他，令他難以安心。這次，他終於願意敞開心扉，向導演訴說自己的逃亡經歷，剖白一個不能說的秘密。 Amin Nawabi, a 36-year-old high-achieving academic, grapples with a painful secret he has kept hidden for 20 years, one that threatens to derail the life he has built for himself and his soon to be husband. Recounted mostly through animation to director Jonas Poher Rasmussen — his close friend and high-school classmate, […]

一個無家可歸的神秘女子在釜山街頭尋找落腳之處。她身無分文，睡在荒廢的房子裡，靠吃餐廳的剩菜勉強渡日。在他人眼中，她命如草芥，可被任意踐踏和羞辱。踢躂舞是她狼狽生活的唯一慰藉，鞋子的節奏為她敲響了希望，雙腳舞動她的破碎與傷悲。 本片是導演朴錫英「花之三部曲」的第二部，延續前作《野花》主角Ha-dam的生命故事，繼續關注邊緣女孩的生存困窘。失焦抖動的手持攝影呈現迷離殘酷的悲劇色彩，如走進幻境。 Ha-dam lives on the street by herself. Her only dream is to get a job and make a living independently, but it is difficult for her without a phone number or an address to get a job. One day, she becomes happy a little bit with the sound of tap dancing, but she […]

FIND THE SPOT 和 SCUMRAID 是韓國最活躍的龐克樂隊，他們獲邀參加東京最大型的龐克音樂節，導演兼SCUMRAID成員Lee Dong-woo用鏡頭記錄了這趟日本之旅，以幽默節奏描述了龐克對於他們的真正意義。 龐克到底是什麼？音樂形式？一種精神？社會現象？本片帶你走進南韓Punk友的地下世界，聆聽他們用音樂與生活捍衛龐克的抗爭精神，探尋龐克的歷史背景與意義。 ‘FIND THE SPOT’ and ‘SCUMRAID’ are two of the most active D.I.Y punk bands in Korea. Scumraid released an album from Sweden and USA and they get invited to one of the biggest hardcore punk festivals in japan. This movie shows how one of the loudest and […]

為抗議公司無理裁員，中年漢五年來靜坐街頭要求賠償，拼盡所有換來的卻是官司敗訴。萬念俱灰的他決定放一個長假，然而回到久違的家，等待他的卻是兩個對他不瞅不睬的女兒。缺席的父親、一無所有的抗爭者，兩重失敗的身分令他大受打擊⋯⋯ 本片是導演李蘭熙首部長片，藉捕捉勞動抗爭者在新聞以外的日常，獲得業內及影評人一致好評。取材自韓國最廣為人知的勞資糾紛，一班工人遭知名結他公司無理解僱，官司一打便是13年。 A 49-year-old fired worker Jae-bok has been holding a sit-in for 5 years with his colleagues. After the union lost the final lawsuit asking for the invalidation of his recent layoffs, they decide to take 10 days off. Jae-bok goes back home and gets a part-time job at a furniture factory during a […]